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Autobiographical Elements In The Essays Of Charles Lamb

Charles Lamb, (born Feb. 10, 1775, London, Eng.—died Dec. 27, 1834, Edmonton, Middlesex), English essayist and critic, best known for his Essays of Elia (1823–33).

Lamb went to school at Christ’s Hospital, where he studied until 1789. He was a near contemporary there of Samuel Taylor Coleridge and of Leigh Hunt. In 1792 Lamb found employment as a clerk at East India House (the headquarters of the East India Company), remaining there until retirement in 1825. In 1796 Lamb’s sister, Mary, in a fit of madness (which was to prove recurrent) killed their mother. Lamb reacted with courage and loyalty, taking on himself the burden of looking after Mary.

Lamb’s first appearances in print were as a poet, with contributions to collections by Coleridge (1796) and by Charles Lloyd (1798). A Tale of Rosamund Gray, a prose romance, appeared in 1798, and in 1802 he published John Woodvil, a poetic tragedy. “The Old Familiar Faces” (1789) remains his best-known poem, although “On an Infant Dying As Soon As It Was Born” (1828) is his finest poetic achievement.

In 1807 Lamb and his sister published Tales from Shakespear, a retelling of the plays for children, and in 1809 they published Mrs. Leicester’s School, a collection of stories supposedly told by pupils of a school in Hertfordshire. In 1808 Charles published a children’s version of the Odyssey, called The Adventures of Ulysses.

In 1808 Lamb also published Specimens of English Dramatic Poets Who Lived About the Time of Shakespear, a selection of scenes from Elizabethan dramas; it had a considerable influence on the style of 19th-century English verse. Lamb also contributed critical papers on Shakespeare and on William Hogarth to Hunt’s Reflector. Lamb’s criticism often appears in the form of marginalia, reactions, and responses: brief comments, delicately phrased, but hardly ever argued through.

Lamb’s greatest achievements were his remarkable letters and the essays that he wrote under the pseudonym Elia for London Magazine, which was founded in 1820. His style is highly personal and mannered, its function being to “create” and delineate the persona of Elia, and the writing, though sometimes simple, is never plain. The essays conjure up, with humour and sometimes with pathos, old acquaintances; they also recall scenes from childhood and from later life, and they indulge the author’s sense of playfulness and fancy. Beneath their whimsical surface, Lamb’s essays are as much an expression of the Romantic movement as the verse of Coleridge and William Wordsworth. Elia’s love of urban and suburban subject matter, however, points ahead, toward the work of Charles Dickens. The essay “On the Artificial Comedy of the Last Century” (1822) both helped to revive interest in Restoration comedy and anticipated the assumptions of the Aesthetic movement of the late 19th century. Lamb’s first Elia essays were published separately in 1823; a second series appeared, as The Last Essays of Elia, in 1833.

Autobiographical Elements Of Essays Of Elia

The most charming beauty of romantic literature is the trait of its being intensely autobiographical and subjective. Similarly, "Essays of Elia" unfold the life history and idiosyncratic mind of Charles Lamb in a semi-factual way. The real delight for the Romantic comes from his infusion of fact and fiction as, otherwise, his essays would have become mere boring and passionless statements about his personal and private life. Our charm and fascination do not grow less, for we are never too close to the reality or surrounded by totally imaginary details and accounts. Under the thin layer of mystified names and references, Lamb lays bare his entire existence.
In fact, it is not possible for readers to trace out a true history of Charles Lamb through his essays. He mystifies the details of his personal life by giving us false names and false kinship. Even the pseudonym of "Elia" is sufficient to blur our judgment. Without additional help in form of footnotes and comments, we cannot safely connect details given in the essays with Lamb's life. Sometimes, he may make a confession at the end of essay that whatever he has written is just a creation of his mind:
?Reader, what if I have been playing with thee all this while─,─, peradventure the very names, which I have summoned up before thee, are fantastic insubstantial─,─, like Henry Pimpernel, and old John Naps of Greece?? (The South-Sea House)
Lamb tells us about his birthplace, father, family, his love of the past and his tremendous attachment with the city of London in ?The Old Benchers of the Inner Temple?. Here his father is portrayed under the guise of ?Lovel?, who was more than a right-hand man of his employer Samuel Salt, being ?at once his clerk, his good servant, his dresser, his friend, his ?flapper,? his guide, stop-watch, auditor, treasurer.? ?My Relations? gives us an account of Lamb?s elder brother, John Lamb, and his sister, Mary Lamb. Furthermore, his long intimacy with Mary gets a lively narration in ?Mrs Battle?s Opinions?. Lamb?s childhood can be viewed in ?Christ Hospital? and ?Witches and Other Night Fears?:
?I never laid my head on my pillow, I suppose...

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